The problem with movies and how to solve them
Modern films are really social problems in the factor of the film industry, but they are also full of problems. Modern films fall into strange choices and strange habits that will make the films in a kind of nightmare. As there are a lot of problems with the films, I made the decision to solve them some here, and we will come back this problem in another article.

The very first problem is a bad audio mixture. Major problems in the Indian film industry what I'm talking about with this? Let us say that you open your mailbox and that you have some Netflix a Slave films (I almost chose to do this driving example to blockbuster, however, I appreciated that it was in 2016) . You play the Blu-ray / DVD to your player preferably and you also relax and you must show the amount lower because there are a lot of explosions and others. capitalbrasileiradacultura Then people start talking and looking for the remote control simply because they can whisper! Then, another point against new generation films and filmmakers and today you are deaf from the fucking factor, I am a waterproof ear. It is often boring. Hell, it is certainly one of the simplest ways to consider me a film, to tell the truth. Why does it happen? Well, once the audio for the movies is mixed, they mix it for a 5.1 or 7.1 surround seemed installed because it is the optimal method to see a film.

The fact is that, in Five.1, it seems that each common problem in cinema presents its own Gacor slot machine. The midfielder manages the dialogue, the two side speakers are suitable for the explosions and noises of "Bwaam" in the films of Christopher Nolan, the subwoofer is perfect for "Dat Bass", and finally the two (or 4 For those who have 7.1) satellite speakers are suitable for surround effects. What are the challenges to watch a really great and all kind film, but I am not able to buy a 5.1 surround see configure. I am an inadequate university student who only manages to eat noodles ramen 4 occasions per week (another opportunity that I consume the card card has arrived. I have a sad existence). I configured my father's stereo channel as the 80s to become my “hi-fi” audio configuration what a film problem solution that seems to have slightly less horrible stereo seem. Then, when the DVD / Blu-ray player publishes a 5.1 signal, my poor stereo speakers can only reproduce the two entrance speakers. For this reason, the explosions are extremely noisy. Dialogue will be an nonexistent central speaker, and that is why it is so silent.

What is the answer? Add two tracks of dialogue. One included a good super traditional stereo and another included the flamboyant pants 5.1 / 7.1. By doing this, I am able to define the amount to a comfortable volume, then leave it there. This may seem a fairly simple solution, but I would risk considering that the audio mixture is extremely struggling, and never one executed. However, believe that it is worth it and implies that movie studios are ready to go further for people who always want to watch their most favorite films, but who may not be the richest.

Well, we made a sound problem, so let's finish this short article having a visual problem. It is really the 2 biggest problems that I have modern today. Trembling cam and jumping cuts. For individuals who do not really know the trembling camera like a concept, I'm sorry that I am the one who should inform you. It is essentially the worst type of imaginable visual narration. It is probably not the most revealing description, could it be? Ok, so a trembling cam is what it can look like. It is essentially the director tells the cameraman to shake your camera as loud as possible. It's really to make the experience frantic. It seems stupid, but it's a real factor. The problem with a trembling cam is that it is created worse by